Wednesday, August 4, 2010
Lightscribe design for Bumbershoot and DaveMatthews Band
Thursday, May 6, 2010
Takashi Murakami (not Kanye West)
We talked briefly on Takashi Murakami this semester, so I decided to look him up for my last sculptor. However, I like most for his cover art for Kanye West and some of his designer stuff. I wan to make it clear that I don't like Kanye West. He's kind of a Douche. Yes, I am a hater of Kanye. Anyways, I like Takashi Murakami's work on the cover of graduation and the single stronger. Its pretty cool. I like his use of color. They are very vibrant and loud. His has a distinct style that looks like it is mostly influenced from culture. I also included a museum looking exhibit that he put together that is influencing for our museum project. They are little toy sculpture. He also uses a lot of vibrant and loud colors on the toys.
Louise Bourgeois
Rodin
Powerhouse Exhibit (Possibly some Extra Credit)
Japanese Graphic Design (Extra Credit)
Andy Goldsworthy
Wednesday, May 5, 2010
Molotov Man Response
On the Rights of Molotov Man
This article is written about copyright laws. This article is also about context. Joy Garnett chose random photographs off the internet that captured “images of figures in extreme emotional or physical states.” She began her quest to replicate “riots” by creating a six-foot tall painting of a man throwing a flaming Molotov bottle. She later found out that her painting was a derivative of Susan Meiselas’ photograph of a Nicaraguan rebel. Due to copyright infringement, Joy was requested to pay fees and give credit to Susan any time she were to display or replicate the painting.
Due to the letter Joy had received, she requested help from bloggers on a website discussing copyright issues. The Molotov man was then taken by on-line users and altered slightly in many different ways creating a mockery of the copyright law; mirror images were made, sections were made, and even t-shirts were made. This occurrence was soon known as the “Joywar.” At the end of Joy’s section she gives a quote from a blogger, nmazca “Who owns the rights to this man’s struggle?” When you think about what happened according to Joy, the quote fits perfectly. Who owns the rights to the Molotov man’s struggle? Who owns any emotion? Is every emotion copyrightable?
Susan mostly describes the man in the photograph and the history surrounding what he was doing. She also describes how monumental this photograph became as a symbol to the people of Nicaragua. The Molotov man was used for a large amount of political propaganda, t-shirts and for religious affiliations. Susan also tells us who the actual Molotov man was, Pablo Arauz. She said that she was not using the copyright laws to own the emotion, but to preserve the context of the photo within history. She wanted to reserve the history surrounding it. Molotov man was not an “emblem of an abstract riot,” he was a symbol to an entire people and history.
Willow Socia (Extra Credit)
This was another Art Gallery at the Good Damn Projects Exhibit in the Locker in the PAAW Building. I think that the exhibit works really well. At first I almost thought that it was too simple. It could have been how I was feeling that day. While going through the pictures today though, I think its pretty "Damn Good." Obviously that is why its in the locker. lol. Alright I probably could've left that out. Oh well, its already written. Anyways, The exhibit is pretty much a 2 layer graveyard inside of the locker. I guess, When I walked past it, my attention was not immediately grabbed. I had known about the locker this whole semester and it didn't quite pull me in the way the other 2 did. I think that along with the artists statement, its simplicity works very well. There is a lot of hard work on the craftsmanship and I can appreciate that.
Lists for Book Project
Tuesday, May 4, 2010
Lynda Benglis
Monday, May 3, 2010
Vik Muniz
I HATE JEFF KOONS
Yoko Ono
Marcel Duchamp
She has a fire down below... someone told me thats what it meant...